Matthew Barney Drawing Restraint

Matthew Barney Drawing Restraint - Jointly owned by laurenz foundation, schaulager, basel; Web artist matthew barney describes his ongoing series drawing restraint, which he began as studio experiments in 1987, as “an endless loop between desire and discipline.” in the piece, which brings together performance, film, and sculpture, he created serpentine obstacles for himself — impeded by obstacles, harnesses, and ramps, he struggled. Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. The drawing restraint series consists of 19 numbered components and related materials. The exhibition consisted of sculpture, installation, performance, drawing and film from throughout barney’s drawing restraint series, numbers 1 to 16. Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies.

Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). Web returning to the project in 1993, barney made drawing restraint 7, a work formally distinct from its precedents. The development of form occurs through resistance. Web the artist matthew barney discusses the origins of his series drawing restraint. Web drawing restraint by matthew barney

Matthew Barney (B. 1967) , Drawing Restraint 9 Christie's

Matthew Barney (B. 1967) , Drawing Restraint 9 Christie's

artruby “ Matthew Barney, Drawing Restraint 7 (Guillotine), 1993.

artruby “ Matthew Barney, Drawing Restraint 7 (Guillotine), 1993.

Drawing Power The New Yorker

Drawing Power The New Yorker

Mythology, Mortality, Mailer, and Vaseline Matthew Barney at the

Mythology, Mortality, Mailer, and Vaseline Matthew Barney at the

DRAWING RESTRAINT by Matthew Barney

DRAWING RESTRAINT by Matthew Barney

Matthew Barney Drawing Restraint - Exploring the chasm between east and west, the scenes of a japanese tea ceremony, whaling, sex, and the making of sculpture are edited together in a way that defies. Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). The exhibition consisted of sculpture, installation, performance, drawing and film from throughout barney’s drawing restraint series, numbers 1 to 16. 36 1/4 x 62 x 41 (92.1 x 157.5 x 104.1 cm). Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. Jointly owned by laurenz foundation, schaulager, basel;

Black and white and color video. Using the trampoline, a single mark was made on the ceiling of the studio with each jump. The idea grew out of barney’s early experience as an athlete and represents many principles fundamental to his art. Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). By hans ulrich obrist (editor), matthew barney (artist), francis mckee (contributor) see all formats and editions.

Using The Trampoline, A Single Mark Was Made On The Ceiling Of The Studio With Each Jump.

Black and white and color video. Graphite, watercolor and petroleum jelly on paper in rotomolded polycarbonate frames with nylon fiber, acrylic and vivak. Web the series, which includes drawings, photographs, sculptures, and video, reflects barney’s past as a high school athlete and is based on his ongoing interest the physical rigors of athletics—in particular, the idea that muscles strengthen when they encounter resistance. The exhibition consisted of sculpture, installation, performance, drawing and film from throughout barney’s drawing restraint series, numbers 1 to 16.

Web Has 62 Works Online.

The development of form occurs through resistance. By hans ulrich obrist (editor), matthew barney (artist), francis mckee (contributor) see all formats and editions. The idea grew out of barney’s early experience as an athlete and represents many principles fundamental to his art. Jointly owned by laurenz foundation, schaulager, basel;

This Insightful Book Features A Clear Pvc Cover Designed By The Artist, Printed In Silver Ink.

And the museum of modern art, new york, richard s. Zeisler bequest and the blanchette hooker rockefeller fund (both by exchange). Web drawing restraint by matthew barney ‘drawing restraint 7’ was created in 1993 by matthew barney in performance art style.

Zeisler Bequest And The Blanchette Hooker Rockefeller Fund (Both By Exchange).

And the museum of modern art, new york, richard s. 36 1/2 x 114 x 80 (92.7 x 289.6 x 203.2 cm). 36 1/4 x 62 x 41 (92.1 x 157.5 x 104.1 cm). Jointly owned by laurenz foundation, schaulager, basel;